December 2012 Archives

The Lives of Others: Questions for Reflection

| 16 Comments | 0 TrackBacks
Christa-Maria tells Wiesler that he is a good man. Jerska gives Dreymann Sonata for a Good Man. Dreymann dedicates Sonata for a Good Man to Wiesler. What is "a good man" in The Lives of Others? Was it possible to be a good man in East Berlin? Do we need a different language/vocabulary to describe these men? Does this film have a hero? Was it possible to be heroic in East Berlin? 

Does art have the power to make us good people? The director offers us plenty of evidence that artists are more sensitive, more compassionate, more empathetic. But he also offers us plenty of evidence that art does not make us better people. Before the Second World War, Germans were considered the most cultured people on the planet. Why are people who worship art capable of barbaric behavior? Why do we study art? Does it have the power to change us? Is Hempf correct? Are people incapable of change? 

Why is Martina Gedeck given the name Christa-Maria? Why is her code name, Marta? Does the film have a religious dimension? 

Why does Wiesler attempt to help Dreymann? Is he in love with Dreymann? Is he in love with Christa? Does Christa need to be sacrificed for the sake of Dreymann? 


The Third Man: Questions for Reflection

| 16 Comments | 0 TrackBacks
The novelist E.M. Forster wrote "If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country." What does The Third Man have to say about betraying one's friend? Is the betrayal of a friend always inexcusable? Are there more important loyalties - to one's country? One's family? One's religion? Etc. 

Anna and Holly have very different responses to Harry Lime's crimes. How do you account for their different reactions? Why does Anna choose not to leave Vienna? Why does she choose not to benefit from the capture of Harry? What do we know about Anna's life during the war? What do we know about Holly's? Do their different experiences of the war affect their responses to Harry? 

What do you make of the film's final shot?

Why does Holly write Westerns? Will he continue to write Westerns after his time in Vienna? 

Critics have often said that the city of Vienna is a character in The Third Man. How is the city used as not only a setting but as a character? 


Citizen Kane: Questions for Reflection

| 19 Comments | 0 TrackBacks
Citizen Kane is filmed as a series of long takes, composed in-depth to eliminate the necessity for narrative cutting within major dramatic scenes. The film uses very little shot/counter-shot. Why is this so important to the way we experience the film visually? 

Why is this important to the content of the film? 

Do the multiple perspectives bring us closer to or further away from the truth? 

Do the individual narratives distinctively differ? Are they all Welles/Toland's visions or do they show individual narrators' perspectives? 

Do the perspectives of the individual narrators always make sense? That is, would Susan know the content of her own narrative? Would Jed have access to the information in his narrative? 

Do the narratives work with each other or contradict each other? 

Do the more subjective narratives support or refute the newsreel? 

Does the answer to Rosebud tell us anything? everything? nothing? 

Why don't we get to see the reporters' faces? 

Join Us On

Subscribe

  • Subscribe to feed Entries
  • Subscribe to comments feed Comments
  • 520312aaa37552c47fa9f6f2bead013cedcb847ce757330d9dec917c28a26458-2395942084.png
    iTunes U